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Aguamadera presents « Las historias que han dejado »

The duo was formed in 2015 when Marco Grancelli and María Cabral met in Buenos Aires, in the choir Cuerdo Vocales. Soon after, they realized that they both shared the same passion for South American folklore and started to perform together on Buenos Aires stages. In 2017, they recorded their first album, Colocho, and went on a tour around Europe afterward. They threw more than 50 concerts in various countries like Spain, France, Germany, Belgium, and Switzerland. Since they had such an enriching experience with the tour, they decided to settle in southwest France, where they not only felt warmly welcomed but also found a great place to take appreciation of the stimulating cultural European’s scenario. In 2018, they recorded their second album called La campana, which mainly focuses on them as a vocal duo, with guitar, cuatro, and Venezuelan maracas. Also, within the same year, they performed at multiple renowned festivals, such as Río Loco (Toulouse), Les Méridiennes (Tours), Les Suds (Arles), Borgo Sonoro (Italy), and Szolnay (Hungary), and participated in radio broadcasts like Ocora Couleurs du Monde (France Musique). Furthermore, Aguamadera is also keen on collaborating with fellow artists, and one of them is “Las Hermanas Caronni”. Together, they have recorded a co-written composition and shared stages multiple times. In this opportunity, with their new album Las historias que han dejado (the stories they left behind), the duo features compositions inspired by multiple genres, such as the Argentine chacarera, zamba or huayno, Venezuelan joropo, merengue, gaita zuliana, and Peruvian waltz, with the incorporation of the bass and percussion. The album was recorded in Buenos Aires under the artistic direction of Elizabeth Morris (two-times winner of the International Festival of Viña del Mar), and the collaboration of great South-American artists like the singers Raly Barrionuevo and Marta Gómez. Moreover, in their upcoming concerts, Aguamadera will be playing as a quartet, thanks to the participation of Julien Rieu de Pey on electric bass, and Vanesa Garcia on percussion. Las historias que han dejado will be available on digital platforms on January 7th, 2022. Whereas, its physical format will be released on January 21st, with the distribution of Quart de Lune/ UVM Distribution. Additionally, the duo will be hosted at The Parisian festival AU FIL DES VOIX at Paris Music Factory on February 16th, 2022.
2 December 2021

Black Flower presents “Magma”

Five-piece hybrid jazz outfit Black Flower are set to release new album ‘Magma’ on the 28th January 2022 via the groove-obsessed Belgian label, Sdban Ultra. Piloted by Brussels-based saxophonist/flutist/composer Nathan Daems (Echoes of Zoo, Dijf Sanders), the quintet is a vibrant, hypnotic mix of Ethio jazz, afrobeat, psychedelia and oriental influences, inspired by Mulatu Astatke, Fela Kuti and varied western musical traditions. Black Flower is a band at the peak of their creative powers. Having received glowing praise for the 2019 album ‘Future Flora’ from Mojo, Songlines, BBC Radio 6 Music’s Gilles Peterson, BBC Radio 3’s Music Planet, Worldwide FM and Jazz FM among others, forthcoming album ‘Magma’ sees Black Flower embrace new synth and organ sounds from the band’s most recent recruit, Karel Cuelenaere. His influence can be heard from the outset – his keys adding a swirling, mischievousness to album opener and title track ‘Magma’. Elsewhere, the shuffling drum patterns and flighty, flute-propelled ‘O Fogo’ are rich in texture and flow. Driving rhythms and Eastern influenced melodies serve as a rich source of pleasure that, like magma, become real and solid when finding its way to the surface. It’s the perfect metaphor for this album’s creational process. The pulsating, trance-inducing ‘Deep Dive Down’ continues the joyous process while singer-songwriter Meskerem Mees (winner of The Montreux Jazz Talent Award 2021) adds, her clear-as-spring-water vocals to the celestial ‘Morning in the Jungle’. With the much-trusted Frederik Segers on production and London-based visual virtuoso Raimund Wong (Total Refreshment Centre) on artwork duties, it all adds up to the psychedelic and exploratory identity of the band and are key elements that helped ‘Magma’ in its ascension from deep down up to the surface. A creative process solidified into vinyl, just as magma into rock. Fellow musicians and spiritual henchmen are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, MDCIII) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas) at the bass and Karel Cuelenaere (John Ghost) on keys.
29 November 2021

Diana H.P. présente « Fazer e cantar »

Diana H.P. will unveil her new album « Fazer e cantar » on her release December 3, 2021 on Z Production / Inouïe Distribution. This new work will be presented live on stage on Tuesday February 1, 2022 at Hasard Ludique (Paris). The third album from Brazilian singer- songwriter Diana H.P., Fazer e Cantar, draws on the progressive energy of music from the 1960's to 1980's to give us a look into a groovy, sensual and spiritual musical future. JazzBastards, her brilliant accompanying musicians and producers, are the ideal band for this retro-futuristic exploration.  Diana H.P. is the heir to the revolution that took place in the early 1970s in Belo Horizonte, the capital of Minas Gerais, a state in southeastern Brazil. It took its code name Clube da Esquina, (the Corner Club) from the title of the song and history-making album by Milton Nascimento and the creative exchange that flowed throughout the group of enlightened artists around him. The musicians and poets who made up the Clube da Esquina fused their virtuosity by drawing inspiration from the dauntless genius of jazz reformers, psychedelic rock and the Beatles' White Album, as well as from regional and national musical traditions. It is an album that resonated among great international musicians such as Wayne Shorter, Herbie Hancock and Earth Wind & Fire and opened up a window into a future of boldness and freedom in Brazil while the country was mired in the shackles of the military dictatorship. With Fazer e Cantar, Diana has found her place and she avows it. Taking the moniker Diana H.P., she is an amplified version of herself, true to the values of her past yet ready to take on the challenges of the present in order to build a healthier and happier future. Just like the Clube da Esquina artists in their time, Diana H.P. relies on her imagination to overcome the dangers of her times. Doing and Singing, because if you stop dreaming, life gets stripped down, and Diana H.P. tirelessly sings and will make you sing.
19 November 2021

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Ting Bang