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Metismatic presents « Bad Safari »

Sorry, this entry is only available in FR.Metismatic, composé de Romain Perda (balafon, cavaquinho, métaux), Brice Perda (tuba, saxhorn, flugabone), Mathieu Miteran (violoncelle) et Alex Belair (percussions), se produira sur la scène du  New Morning  le mercredi 25 mars. METISMATIC fête la sortie de son deuxième album, intitulé « Bad Safari » (sortie le 23/03 chez Quart de Lune / Musicast). Dans ce nouvel opus, le quartet du balafoniste Romain Perda invite cinq artistes de la nouvelle scène jazz world, dont la chanteuse franco-algéro-brésilienne Anissá Bensalah. Le jazz planétaire de METISMATIC en pleine (r)évolution ! Le groupe METISMATIC voit le jour en 2009, sur une idée du balafoniste Romain Perda. Le compositeur réunit autour de lui un panel éclectique d'instrumentistes : le poly-cuivriste Brice Perda, le violoncelliste Mathieu Miteran et le percussionniste Alex Belair. Le jazz planétaire de METISMATIC prend forme, puisant ses inspirations dans ses voyages aux quatre coins du globe, fusionnant les timbres et les rythmes de manière innovante. Un premier album éponyme sort en 2012, tandis que le clip « Au fond à gauche » est accueilli avec enthousiasme par les internautes. Fort de son succès auprès du public, METISMATIC se produit dans de nombreux festivals et salles de concert, et remporte notamment le Prix d’Originalité aux Trophées du Sunside/Sunset, avant d'être sélectionné pour la 37e édition du Concours de Jazz de la Défense en 2014. L’univers musical de METISMATIC s'enrichit en 2014 de l’arrivée de cinq invités de la nouvelle scène jazz world. Le balafoniste compose des titres « sur mesure » pour des solistes aussi généreux que talentueux : la chanteuse franco-algéro-brésilienne Anissá Bensalah, la flûtiste Amina Mezaache, le saxophoniste Michael Havard, le panderiste Jonathan Edo, et le contrebassiste Joachim Govin. L’équipe « METISMATIC & Guests » signe en 2015 un nouvel album intitulé « Bad Safari ». Ce deuxième opus affirme un peu plus la dimension jazz du groupe, l’écriture de Romain Perda se voyant renouvelée par l’apport du balafon chromatique et du cavaquinho. ***** INFOS Site : metismatic.com Facebook : metismatic Youtube : romperda ***** NEW MORNING 7 & 9, Rue des Petites Ecuries, 75010 Paris Site : newmorning.com Mercredi 25 mars 2015 Horaire : 20h30 Tarifs : 12e (préventes) / 15e (sur place) Réservation : digitick.com ***** LINE-UP Romain Perda : balafon, cavaquinho, métaux Brice Perda : tuba, saxhorn, flugabone Mathieu Mitéran : violoncelle Alex Belair : percussions & Anissá Bensalah : voix Amina Mezaache : flûte traversière Michael Havard : saxophone tenor Jonathan Edo : pandeiro Joachim Govin : contrebasse
12 January 2015

Koto Brawa & the Wakman present “Gueïnto”

The artist Burkinabe Koto Brawa is both drummer, singer and percussionist. Inclined to explore various musical styles, Koto music mixes in his traditional African rhythms (Dagara, Birifor) sounding funk, blues, jazz or even electro. Recognized in Burkina Faso since 1995, he made his debut in several formations. It was recognized by a first solo award for best feature of the French song awarded in 2000 by the Embassy of France in Bobo-Dioulasso, Burkina Faso. Her debut album, Meet-IK, released in June 2007 (recorded and mixed at Studio Ouagadougou Dada in Brussels) and acclaimed Burkinabecriticism, took us in a seductive and exotic Afro-beat universe.Then according to his meetings he continues to expand his musical experience and has worked with many artists (Sally Nyolo Gasandji, Yapa, Ryoko Nuruki …). After many concerts in Africa(Burkina Faso, Togo, Benin) and Europe (France, Germany, Poland), it now offers a new show accompanied by “The Wakman” group (the sorcerer in Burkina Faso). A meeting between musicians from different backgrounds, discover on stage. Gueïnto which means “Arise and walk” pays tribute to his second daughter disappeared prematurely. This new album is a journey between Africa and Europe in the image of Koto and his desire to share.Gueïnto reflects a hybrid fusion between modernity and tradition.It is the result of many meetings and collaborations including that of Jean-Philippe Rykielkeyboard or singers Manu Dibango, Youssou N’Dour. ***** INFORMATION Website: kotobrawa.com Facebook: Koto Brawa & The wakman SoundCloud: KOTO BRAWA & The Wakman – Gueïnto
14 November 2014

Gino Sitson presents « VoiStrings »

Award-winning, New York-based vocal virtuoso Gino Sitson is originally from the Bamileke region of Cameroon, Central Africa. His family comes from a long line of musicians known as Ntontas(“players of horns”) and his mother is a vocalist and choir director. He and his siblings were introduced to blues, jazz and African traditional music early in life. Mr. Sitson is a pioneer of a new generation of multi-culturally influenced African musicians who are integrating into their musical styles their own exciting yet bewildering welter of “in-between” living experiences (north/south, tradition/modernity, 20th/21st century). His daring musical project combines in a most innovative way jazz, gospel, blues and traditional African polyphonies, polyrhythms and melodies. By freely combining his trademark vocal acrobatics with a breathtakingly creative command of oral and body percussions and miscellaneous effects, Mr. Sitson forged an eloquent vocabulary capable of communicating far beyond any limits of language or custom. Through his vocal wizardry, he stunningly creates an endless range of sounds and atmospheres. Sitson’s seamless four-octave range travels from a soulful, resonantly masculine tenor with woodwind-like overtones to a high-soaring, nearly genderless spiritual wail, a feat that recalls Brazil’s Milton Nascimento, another deep-rooted yet restlessly protean, jazz-inflected shape-changer. Gino Sitson’s four-octave vocal range plus his skills as a composer and arranger put him in high demand for recording sessions and for commercials and radio / television jingles (Danone, Dim, Peugeot, Vahine, etc). The versatile young vocalist performed in a musical and co-composed part of the music (Jeanne et le Garçon Formidable). He has laid down tracks or shared the stage with Manu Dibango, Ron Carter, Papa Wemba, Wally Badarou, John Scofield, Geri Allen, David Gilmore, Haruko Nara, Bobby McFerrin, Frank Wess, Ray Lema, Craig Harris, James Hurt, Antoine Roney, John William, Mario Canonge, Wallace Roney, Brice Wassy, Oliver NGoma, Exile One, Steve Potts, So Why? (Featuring Youssou NDour, Papa Wemba, Wally Badarou, Jabu Khanyile & Bayete, Lourdes Van-Dunem, and Lucky Dube) and La Compagnie Creole, among others. In 2008, Mr. Sitson was invited by Bobby McFerrin to take part in a special project that took place at the Carnegie Hall (“Instant Opera”). He appeared in the 2009 PBS documentary film “The Music Instinct: Science and Song”, featuring Bobby McFerrin, Daniel Levitin, Oliver Sacks, Daniel Barenboim, and Yo-Yo Ma. A member of Chamber Music America, he is regularly engaged for movie scores and commercials. He has also appeared several times on TV and also composed music for the noted children’s TV show, Dora The Explorer (Nickelodeon). Since 2006, Mr. Sitson is a Cultural Arts ambassador for the city of Miami (Florida). Meanwhile, his international career continues apace. He has received the “Parents Choice Silver Medal Honor Award” in 2004 and was nominated for the RFI Awards 2000 (Finalist “Decouvertes RFI” 2000). His recent output includes soundtracks to Betrayal (Kevin Ngooh), Blue Lotus (Dayo Ayodele) and Koming from Afrika (Blaise-Christian Sitchet); jingles for France Television and France 3. Mr. Sitson performed at the Carnegie Hall with his own group in 2008. Aside from musical performances, Gino leads vocal workshops served by his amazing vocal technique, his musical knowledge and his desire to share his love for vocal explorations. Gino has developed workshops for professional as well as non-professional singers, and also for children. A researcher in musicology, his work focuses on music cognition, expressive properties of the voice and the process of transmitting music from the “black” diaspora. Among them, he is particularly interested in Gwoka music from Guadeloupe. Mr Sitson earned a PhD in musicology at the Paris-Sorbonne University. He is a UNICEF CAMEROON Goodwill Ambassador. ****** INFORMATION Website: Ginositson.com Facebook: Ginositson1 Soundcloud: Voistrings
10 November 2014

Manuel Delgado presents “Bellamar”

“My city is Barcelona, where I was born. Now, I live in Paris, my adopted city. I began to play the guitar when I was very young, and flamenco often brought me to travel and live in in Andalucia. In 1988 I participated as a solist in the “ First Festival of Flamenco Guitar in Paris”. I worked with the flamenco dance group “Contratiempo” from Madrid, the company “Soniquete” in Paris, and in 1994 I founded the group “Aqua Flamenco”, performing in France, Spain, Germany, Greece, Israel, Switzerland, Tunisia… During this period, and up until the present day, have accompanied flamenco song and dance, working with dancers such as: Manuel Gutierrez (Cordoba), Juan Polvillo (Sevilla), La China(Madrid), Antonio Reyes (Madrid), Yasaray Rodriguez (Sevilla), Alejandra Gonzalez…, and singers such as: Alberto Garcia, Cristo Cortes, Jose Cortes, Mencho Campos, Juan Murube…. I have also been very fortunate to work with some of the great artists from the world of oriental music, including Mohamed Zinelabidine (laud, Tunisia), Issa Hassan (Buzuk, Lebanon), Keivan Chemirani (zarb,Iran), Kudsi Erguner (nei, Turkey), Omar Bashir (laud, Iraq), the singers Ludfi Boushnac and Sonia MBarek (Tunisia), Mr T.A.S. Mani (mridangam, India), Ramamani (vocal, India ), Hend Zuari (Kannun, Tunisia).” MUSICIANS: Manuel Delgado, guitar Stephen Bedrossian, double bass Alberto Garcia, flamenco singing Carmela Delgado, bandoneon Sophie Bernado, bassoon Zied Zouari, violin Cédric Diot, percussion INFORMATION: Website: manuel-delgado.com Facebook: Manuel Delgado Album available on iTunes: https://itunes.apple.com/album/bellamar/id923004594
3 November 2014

Fabrice Devienne presents “Dipenda”

The “Dipenda” album keeps the commitment of words from the original musical creation for the play “A Season in the Congo” by Aimee Cesaire. Those Marc Zinga, Belgian artist from the Congo, who lends his voice to the project, and those course Aimee Cesaire who pays tribute album. The music itself, like “pollen fire” offers a subtle range between light and rich harmonies and both African and Cuban rhythms just waiting to ignite. The extreme proximity of these rhythms reminds us of their historical relationship. Fabrice Devienne, such a stage director, did it effectively. We travel in Europe, Africa and Cuba in the space of this magic triangle elaborated by the pianist. Dipenda invites us to travel, over oceans and continents, but also at the heart of each song. Thus, “Mti Umeoza” gives us the velvety vocals of a female voice, doubled in places by lyrical cello, opening the exchange to jazz piano improvisations. Furthermore, where the flute doubles the Rhodes rise mixed reminiscences of Ultramarine or Fal Frett. Yet it’s in “The song of Pauline” we can feel better the dramaturgical treatment of musical time. Helped by a string quartet of great finesse, Devienne here reminds us all his work on film music. “Vienna rainy season” does not derogate from this construction. The choirs of women sound like a prayer in the middle of expectation filled with hope. Finally comes the issuance of notes under the beneficent rain of a piano that seems to also regain his freedom. If “Dipenda” is an album that stays true to the power of words and the commitment of Césaire, it also makes a wonderful tribute, by the accuracy of his music, the great poet that was the man. INFORMATION https://www.dipenda.com
9 October 2014