<\/p>\n
After a first career as a performing musician then a second composing for film and advertising, Fran\u00e7ois Moity<\/strong> returns to his roots \u2013 alone at the piano \u2013 to share some previously unreleased tracks and give us a new interpretation of pure gems from classical music, cinema and song.<\/p>\n “These wonders have been with me for ever, so it was time, with this album, to pay a simple and fitting tribute to their creators.<\/em>\u201d \u2014 Fran\u00e7ois Moity<\/strong><\/p>\n <\/p>\n Tracklist<\/b><\/p>\n Side A<\/b>:<\/p>\n No Lo S\u00e9; La Javanaise (Serge Gainsbourg); Full Circle (Colin Towns); Ankara Trial. The Verdict; Furyo (Ryuichi Sakamoto); Ballade de Chez Tao (Jacques Higelin)<\/p>\n Side B<\/b>:<\/p>\n St\u00e4ndchen from Schnengesang (Franz Schubert); Autumn Land (Michel Colombier); Love Theme from Blade Runner (Vangelis); Manon (Serge Gainsbourg); Ombres Chinoises de Thelma; Ritorno a Cinecitt\u00e0; A Last Waltz (attributed to Frederic Chopin)<\/p>\n <\/p>","protected":false},"excerpt":{"rendered":" After a first career as a performing musician then a second composing for film and advertising, Fran\u00e7ois Moity returns to his roots \u2013 alone at the piano \u2013 to share some previously unreleased tracks and give us a new interpretation of pure gems from classical music, cinema and song. “These wonders have been with me […]<\/p>\n","protected":false},"author":3,"featured_media":70379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-70378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"acf":[],"yoast_head":"\n