{"id":6831,"date":"2018-03-30T12:29:46","date_gmt":"2018-03-30T10:29:46","guid":{"rendered":"http:\/\/www.veevcom.com\/?p=6831"},"modified":"2019-05-28T22:09:34","modified_gmt":"2019-05-28T20:09:34","slug":"dipenda-en-concert-au-pan-piper-2-pieces-cuisine-et-bal-blomet","status":"publish","type":"post","link":"https:\/\/veevcom.com\/en\/dipenda-en-concert-au-pan-piper-2-pieces-cuisine-et-bal-blomet\/","title":{"rendered":"Dipenda in concert in Paris"},"content":{"rendered":"

The DIPENDA<\/strong> project (Independence in the lingala<\/strong> language) was born from the aspiration to give the compostions, written by Fabrice<\/strong> Devienne<\/strong> for the production of the play Une saison au Congo<\/strong>, a new lease of life. The musical show resulting from this project groups 13 musicians singers and slammers onstage<\/strong>.<\/p>\n

C\u00e9saire<\/strong>\u2019s play tells the story of the congolese<\/strong>independence<\/strong> process in 1960, through the rise and final assassination in 1961 of Patrice Lumumba<\/strong>, Congo\u2019s first prime minister. Devoted body and soul to this struggle, PL managed to lead his country to independence. An independence that represented so much in terms of hope and sacrifice but also very soon, so much in terms of treachery, plotting and disillusion.<\/p>\n

In DIPENDA<\/strong>, a true fusion of artistic styles, the poetic and militant words of C\u00e9saire<\/strong>\u2019s play meet Pitcho Wonga Konga<\/strong>\u2019s writings reflecting on the wider issues of independence. This encounter is accompanied by a musical universe at the crossroads of Africa<\/strong>, Cuba<\/strong> and Jazz<\/strong>.<\/p>\n

The show unfolds as a musical tale. We are told a history and many stories of independence in French<\/strong>, they are sung to us in lingala<\/strong>, swahili<\/strong> and spanish<\/strong>. Independence includes such concepts as freedom of thought, of expression and the freedom to act. However, as history shows, it paradoxically also drives people into the upheavals of exile.<\/p>\n

This history of Congo<\/strong> in the sixties is present throughout the whole show, both through C\u00e9saire\u2019s prose and conceptualisation of \u00ab n\u00e9gritude \u00bb and the cuban musical influences of some of the songs. Indeed, Cuba<\/strong> and the Congo<\/strong> have a strong economic<\/strong>, political<\/strong> and artistic<\/strong> link<\/strong> going back to the days of the slave trade.<\/p>\n

Most of the musicians on this project are active on the european jazz and world music scene. Their wide talents of improvisation echo the music and are in perfect tune with the aspirations of a people fighting for freedom and the full recognition of its rights.<\/p>\n

DIPENDA<\/strong> invites you to travel between several continents and to reflect on their common history \u2013 colonisation, post-independence and the economic, social and cultural migrations that followed.<\/p>\n

Slam, songs and music fuse together in a series of rhythmic, moving and sometimes dreamlike sequences in which different languages meet and mingle to create a new idiom in a new world of sound \u2013 somewhere between Africa<\/strong>, Europe<\/strong> and the Caribbean<\/strong>.
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The DIPENDA project (Independence in the lingala language) was born from the aspiration to give the compostions, written by Fabrice Devienne for the production of the play Une saison au Congo, a new lease of life. The musical show resulting from this project groups 13 musicians singers and slammers onstage. C\u00e9saire\u2019s play tells the story of the congoleseindependence process in 1960, through the rise and […]<\/p>\n","protected":false},"author":1,"featured_media":9606,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[104,261,262,263,66,264,194,98,187,265,102],"class_list":["post-6831","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","tag-attachee-de-presse-musique","tag-cesaire","tag-dipenda","tag-fabrice-devienne","tag-jazz","tag-pianiste","tag-quart-de-lune","tag-severine-berger","tag-socadisc","tag-une-saison-au-congo","tag-veev-com"],"acf":[],"yoast_head":"\nDipenda in concert in Paris - VeevCom<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veevcom.com\/en\/dipenda-en-concert-au-pan-piper-2-pieces-cuisine-et-bal-blomet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dipenda in concert in Paris - VeevCom\" \/>\n<meta property=\"og:description\" content=\"The DIPENDA project (Independence in the lingala language) was born from the aspiration to give the compostions, written by Fabrice Devienne for the production of the play Une saison au Congo, a new lease of life. 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