{"id":80330,"date":"2026-10-02T12:16:34","date_gmt":"2026-10-02T10:16:34","guid":{"rendered":"https:\/\/veevcom.com\/?p=80330"},"modified":"2026-10-02T13:11:57","modified_gmt":"2026-10-02T11:11:57","slug":"yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam","status":"publish","type":"post","link":"http:\/\/veevcom.com\/es\/yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam\/","title":{"rendered":"Yannick Th\u00e9pault &#038; Denis Cuniot presentan \u00abUniversel Klezmer &#8211; Klezmer Aolam\u00bb"},"content":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-es\">Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en <a href=\"http:\/\/veevcom.com\/fr\/wp-json\/wp\/v2\/posts\/80330\" class=\"qtranxs-available-language-link qtranxs-available-language-link-fr\" title=\"FR\">FR<\/a> y <a href=\"http:\/\/veevcom.com\/en\/wp-json\/wp\/v2\/posts\/80330\" class=\"qtranxs-available-language-link qtranxs-available-language-link-en\" title=\"EN\">EN<\/a>.<\/p><p><\/p>\n<div dir=\"ltr\" align=\"left\"><strong><span dir=\"ltr\">Le<\/span><\/strong><span dir=\"ltr\"><strong> duo<\/strong> <strong>Yannick Th\u00e9pault<\/strong> (clarinette) &amp;&nbsp;<strong>Denis Cuniot<\/strong> (piano)&nbsp;r\u00e9v\u00e8lera&nbsp;son&nbsp;nouvel album <strong><em>Universel Klezmer &#8211; Klezmer Aolam<\/em><\/strong> le&nbsp;<strong>vendredi 6 novembre 2026<\/strong>&nbsp;(CD et digital) chez <strong>Buda Musique<\/strong>&nbsp;\/ <strong>Socadisc<\/strong>. L&#8217;opus sera pr\u00e9sent\u00e9 sur sc\u00e8ne \u00e0 l&#8217;occasion d&#8217;une s\u00e9rie de concerts aux <strong>Rendez-vous d&#8217;Ailleurs<\/strong> (Paris, 20e)&nbsp;les&nbsp;&nbsp;<strong>jeudi 19&nbsp;novembre, vendredi 20 novembre, samedi 21 novembre et dimanche 21 novembre.<\/strong><\/span><\/div>\n<div dir=\"ltr\" align=\"left\">&nbsp;<\/div>\n<div align=\"left\">Le&nbsp;premier single <strong>\u00abUne maman et une tante aux petits soins &#8211; Zorgn\u00bb<\/strong>, sera disponible le&nbsp;<strong>16&nbsp;octobre 2026<\/strong>&nbsp;sur toutes les plateformes.<\/div>\n<div align=\"left\">&nbsp;<\/div>\n<div align=\"left\">\u00ab Cet album est n\u00e9 du d\u00e9sir, partag\u00e9 avec mon ami <strong>Denis Cuniot<\/strong>, d\u2019interpr\u00e9ter de grands compositeurs, dont certains non juifs, ayant repris des m\u00e9lodies traditionnelles h\u00e9bra\u00efques. La clarinette par ses possibilit\u00e9s infinies de nuances, son large ambitus et son timbre parfois proche de la voix, donne un visage \u00e0 la m\u00e9lodie. Nous avons cherch\u00e9 \u00e0 traduire le sens des textes par l\u2019interpr\u00e9tation musicale. La fleur prend forme \u00e0 travers son parfum et notre imagination. L\u2019interpr\u00e9tation des musiques hassidiques n\u2019est pas la m\u00eame aux Etats-Unis d\u2019Am\u00e9rique et en Europe. Sur le continent am\u00e9ricain, les interpr\u00e8tes privil\u00e9gient le c\u00f4t\u00e9 festif, urbain, li\u00e9 sans doute \u00e0 l\u2019influence du jazz. Sur le Vieux-Continent, marqu\u00e9 par son histoire, on passe du rire aux larmes. Chostakovitch disait de la musique juive : \u00ab c\u2019est un oc\u00e9an de larmes avec au milieu un \u00e9clat de rire \u00bb. Les pi\u00e8ces que nous pr\u00e9sentons sont des arrangements e des adaptations libres des partitions originales. J\u2019en ai conserv\u00e9 la base harmonique et rythmique, et r\u00e9interpr\u00e9t\u00e9 les m\u00e9lodies. \u00bb<\/div>\n<div align=\"left\">&nbsp;<\/div>\n<div align=\"left\"><strong>Yannick Th\u00e9pault<\/strong><\/div>\n<div align=\"left\">&nbsp;<\/div>\n<div align=\"left\">\n<div align=\"left\">\n<p><strong>Pr\u00e9sentation album&nbsp;<em>Universel Klezmer<\/em> (<em>Klezmer Aolam<\/em>)<\/strong><\/p>\n<p>\u00ab La musique populaire juive, expression d\u2019une longue tradition, ignore toutes les fronti\u00e8res, \u00e0 commencer par celles qui s\u00e9pare le religieux du festif et la composition classique de la musique populaire.<\/p>\n<\/div>\n<div align=\"left\">Le compositeur et violoncelliste Joachim Stutschewsky (Ukraine 1891- Isra\u00ebl 1982) s\u2019attacha \u00e0 le d\u00e9montrer, en musique et en mots. Il publia \u00e0 Vienne, en 1935, un v\u00e9ritable manifeste de la musique juive contemporaine, Mein Weg zur j\u00fcdischen Music, Mon chemin vers la musique juive. N\u00e9 dans l\u2019empire russe, Stutschewsky \u00e9migra en Allemagne pour \u00e9tudier au conservatoire de Leipzig, fut musicien ambulant avant de se fixer \u00e0 Vienne, o\u00f9 il travailla dans le sillage d\u2019Arnold Sch\u00f6nberg. Apr\u00e8s l\u2019Anschluss, il gagna le foyer juif de Palestine, o\u00f9 il s\u2019attacha \u00e0 recueillir les multiples sources juives de la musique, ashkenaze, s\u00e9pharade, perse et y\u00e9m\u00e9nite. Stutschewsky ne cessait de r\u00e9p\u00e9ter que le Klezmer ne rel\u00e8ve pas de la musique l\u00e9g\u00e8re, du folklore, quoique souvent jou\u00e9 par des Schnorer, des mendiants, ce qu\u2019il fut lui-m\u00eame avant sa p\u00e9riode viennoise.<\/div>\n<div align=\"left\">&nbsp;<\/div>\n<div align=\"left\">Le titre du pr\u00e9sent album, <em><strong>Universel Klezmer<\/strong><\/em>, musique juive universelle, peut \u00eatre consid\u00e9r\u00e9 comme un double pl\u00e9onasme, l\u2019universel \u00e9tant l\u2019essence m\u00eame du juda\u00efsme comme de la musique. Le mot Klezmer ne d\u00e9signe pas un genre ou un particularisme, en yiddish il signifie simplement musicien.<\/div>\n<div align=\"left\">&nbsp;<\/div>\n<div align=\"left\">\n<p>Cette dimension universelle n\u2019a pas \u00e9chapp\u00e9 \u00e0 Maurice Ravel, qui s\u2019en est inspir\u00e9 de deux mani\u00e8res, par les sonorit\u00e9s aram\u00e9ennes du Kaddish, et par celles du yiddish dans les arrangements sur des chansons populaires juives. Le plus fran\u00e7ais des compositeurs, dont le Bol\u00e9ro est au patrimoine sonore ce que la tour Eiffel est \u00e0 Paris, n\u2019a jamais cess\u00e9 de se nourrir des musiques du monde. Il signa l\u2019orchestration des Tableaux d\u2019une exposition de Moussorgski et fut le d\u00e9fenseur et l\u2019ami d\u2019Igor Stravinski. Au plus fort de la Grande Guerre, il r\u00e9pondit vertement \u00e0 Saint-Sa\u00ebns, Cortot, et Vincent d\u2019Indy qui demandaient au gouvernement d\u2019interdire d\u2019ex\u00e9cuter publiquement les \u0153uvres contemporaines allemandes et autrichiennes, pour ne pas avoir \u00e0 verser de droits d\u2019auteurs \u00e0 des ressortissants de pays ennemis. \u00ab&nbsp;Il m\u2019importe peu que M. Sch\u00f6nberg soit autrichien&nbsp;\u00bb, \u00e9crivit Ravel, qui le consid\u00e9rait comme le plus important de ses contemporains avec le russe Stravinsky, et il prit la d\u00e9fense de deux ressortissants de l\u2019empire des Habsbourg, Bartok et Kodaly, qui pour \u00eatre hongrois n\u2019en \u00e9taient pas moins d\u2019immenses musiciens. Ravel comprenait la m\u00e9thode de Bartok, qui \u00e9crivait \u00e0 partir de musiques et de chansons populaires, en bousculant les principes de composition savante du Saint-Empire harmonique de Vienne. Profitant d\u2019une tourn\u00e9e aux \u00c9tats-Unis, en 1928, Ravel passa quelques nuits dans les clubs de jazz de Harlem, en compagnie de Georges Gershwin. \u00c0 son retour, il \u00e9crit : \u00ab&nbsp;Vous les Am\u00e9ricains prenez le jazz trop \u00e0 la l\u00e9g\u00e8re (&nbsp;\u2026) c\u2019est lui qui donnera naissance \u00e0 la musique nationale am\u00e9ricaine&nbsp;\u00bb.&nbsp; Passeurs universels, les musiciens Klezmer rencontr\u00e8rent, sur le sol am\u00e9ricain, les enfants des esclaves africains. Comme le chanteur Al Jolson, nombre de musiciens juifs s\u2019enduisaient le visage de cirage noir, pour int\u00e9grer les Jazz Band. Clarinettiste classique, apr\u00e8s avoir appris la musique dans une synagogue de Chicago, Benny Goodman, fut, en 1935, le premier blanc \u00e0 former un Jazz Band, dont la mixit\u00e9 d\u00e9fiait la s\u00e9gr\u00e9gation raciale, alors inscrite dans les lois de plusieurs \u00c9tats et dans les m\u0153urs de la totalit\u00e9 des \u00c9tats-Unis. (&#8230;)&nbsp;\u00bb<\/p>\n<p><strong>Guy Konopnicki<\/strong><\/p>\n<\/div>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en FR y EN. Le duo Yannick Th\u00e9pault (clarinette) &amp;&nbsp;Denis Cuniot (piano)&nbsp;r\u00e9v\u00e8lera&nbsp;son&nbsp;nouvel album Universel Klezmer &#8211; Klezmer Aolam le&nbsp;vendredi 6 novembre 2026&nbsp;(CD et digital) chez Buda Musique&nbsp;\/ Socadisc. L&#8217;opus sera pr\u00e9sent\u00e9 sur sc\u00e8ne \u00e0 l&#8217;occasion d&#8217;une s\u00e9rie de concerts aux Rendez-vous d&#8217;Ailleurs (Paris, 20e)&nbsp;les&nbsp;&nbsp;jeudi 19&nbsp;novembre, vendredi 20 novembre, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":80331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-80330","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yannick Th\u00e9pault &amp; Denis Cuniot presentan &quot;Universel Klezmer - Klezmer Aolam&quot; - VeevCom<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veevcom.com\/es\/yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yannick Th\u00e9pault &amp; Denis Cuniot presentan &quot;Universel Klezmer - Klezmer Aolam&quot; - VeevCom\" \/>\n<meta property=\"og:description\" content=\"Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en FR y EN. Le duo Yannick Th\u00e9pault (clarinette) &amp;&nbsp;Denis Cuniot (piano)&nbsp;r\u00e9v\u00e8lera&nbsp;son&nbsp;nouvel album Universel Klezmer &#8211; Klezmer Aolam le&nbsp;vendredi 6 novembre 2026&nbsp;(CD et digital) chez Buda Musique&nbsp;\/ Socadisc. L&#8217;opus sera pr\u00e9sent\u00e9 sur sc\u00e8ne \u00e0 l&#8217;occasion d&#8217;une s\u00e9rie de concerts aux Rendez-vous d&#8217;Ailleurs (Paris, 20e)&nbsp;les&nbsp;&nbsp;jeudi 19&nbsp;novembre, vendredi 20 novembre, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veevcom.com\/es\/yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam\/\" \/>\n<meta property=\"og:site_name\" content=\"VeevCom\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-02T10:16:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-02T11:11:57+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/veevcom.com\/wp-content\/uploads\/2026\/10\/recto_denis_cuniot_Universel_Klezmer_300dpi_RVB.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1440\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"severine\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"severine\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veevcom.com\\\/yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veevcom.com\\\/yannick-thepault-et-denis-cuniot-presentent-universel-klezmer-klezmer-aolam\\\/\"},\"author\":{\"name\":\"severine\",\"@id\":\"https:\\\/\\\/veevcom.com\\\/#\\\/schema\\\/person\\\/754f1f5a030d278766b52cf0e0c62e8b\"},\"headline\":\"Yannick Th\u00e9pault &#038; 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